On My Way To Absence
Stripped of any inclination or genre-adopting (his past albums deliberately each wore a different cloak: Waters Ave S's pop, Rehearsals For Departure's folk-rock, Ghost of David's ambient-experimentalism, I Break Chairs' rock, and Where Shall You Take Me?'s americana), On My Way To Absence is the sound of Jurado and long-time collaborator Eric Fisher locked in a mental space for four months, periodically inviting friends (including Rosie Thomas, Crooked Fingers frontman Eric Bachman, and familiar faces Josh Golden, Seth Warren, David Broecker, Casey Foubert and Andy Myers) in to contribute to the piece, but ultimately just the two of them immersed in the canvas. Stripped of a hope to please, Jurado journeyed inward and veered into darker and darker territory. On My Way To Absence has ultimately become what Jurado refers to as "a tribute to jealousy". It approaches a dangerous ledge and by the album's end, with the powerful "A Jealous Heart is a Heavy Heart", the listener is left somewhat dangling in a scary place. In the past, Jurado may have been concerned with leaving listeners in such a precarious position, but the beauty of On My Way To Absence is that it does not make such calculations. It just builds & builds, raccoon-eyed & bleary. When the needle raises at the end of side two, one wonders if there'll ever be another side. This is the sort of story that is created in an artistic vacuum, the sort of insularity that artists such as Jandek and the Microphones have creating wonderful albums within. It's a dark portrait that would fit well on the plaster walls of a Fassbinder home, right next to Lou Reed's Berlin in terms of sheer emotional audacity.
On My Way To Absence is full of life and steeped in history. Songs going back pretty deep in the Jurado catalog re-surface and are given their most immediate treatment to date ("Big Decision" and "Simple Hello", for instance). As his body of work will attest, Jurado's songwriting is of a calibre that transcends time. In the same manner that Nick Cave, Lucinda Williams and Gillian Welch consistently write songs that sound stoked in the fires of time, Jurado creates songs that sound old not because he's mastered the structure of old timey music, but rather because he's captured a particular primal essence in the way in which he tells stories about people. He finds the quick truth, the good stuff, and he sings it from his gut. Such is the magic of Damien Jurado.
(SC088 released: 05/05/05)